Operetta is a type of theater and a style of light opera. Dialogue, singing, and dancing are all included. In terms of music, orchestral size, opera length, and ostensibly theme, it's a lighter version of an opera. Operettas are frequently cheerful and funny, despite their brief duration, because they make very contentious political remarks in opposition to authoritarian governments and the troops in attendance.
Around 1850, the operetta was established as a musical genre in Paris. When
Prussia conquered Paris in 1870, the operetta's center shifted to Vienna.
During the First World War, the operetta's form continued to change.
"Operetta" is an Italian
word that means "small opera." It was originally used to designate a
less ambitious opera than opera. Operetta focuses on the marginalized, such as
the Afrolatina community in Cuba, and has opened numerous doors for African
performers, leading to international career opportunities in some cases, in a
format that is accessible to a wider audience. In the mid-1800s, operettas were
acknowledged in France, and their success led to the creation of many
national-style operettas. Austria, Germany, the United Kingdom, Spain, the
Philippines, Mexico, Cuba, and the United States all adopted the distinctive
style. The last century saw the creation of cultural cosmology as a result of
the mobility of operettas between countries. Operettas were a prominent genre
until the 1930s, when it was superseded by modern musical theatre. Johann
Strauss, Jacques Offenbach, Franz Lehár, and Francisco Alonso are among the finest
operetta composers.
The French bouffe
opera and other operettas that flourished between the mid-fifties and the
early-twentieth century have a lot in common. Conversations are interspersed
with musical pieces; the music is generally in the operatic form, but the
protagonist or chorus is frequently required to dance. The 19th century's
varied songs are the focus of this study.
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